Glossary term | References |
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Cultural Heritage Traditions or living expressions inherited from our ancestors and passed on to our descendants, such as oral traditions, performing arts, social practices, rituals, festive events, knowledge and practices concerning nature and the universe or the knowledge and skills to produce traditional crafts |
“UNESCO convention for the safeguarding of the intangible cultural heritage”. . |
Cultural Presence Derives from the concept of “Sense of Presence”, which refers to the idea of “being there” of an individual placed in a virtual environment. In practice, it is a way of expressing an internal perception of the environment and ourselves in relation to it, depending on various factors: physical immersion, perceptual realism, naturalness of the interaction, emotional involvement, attention, unconscious reactions, etc. Cultural Presence stresses the contextual, social and symbolic, communicational aspects of presence, and also, implicitly, a learning aim. Through interaction and collaboration, presence becomes a being, not only physically but also culturally, there and then. |
“Measuring presence: A response to the Witmer and Singer presence questionnaire”, Presence-Teleoperators and Virtual Environments, vol. 8, no. 5, pp. 560 - 565, 1999. | ,
Cultural Presence Derives from the concept of “Sense of Presence”, which refers to the idea of “being there” of an individual placed in a virtual environment. In practice, it is a way of expressing an internal perception of the environment and ourselves in relation to it, depending on various factors: physical immersion, perceptual realism, naturalness of the interaction, emotional involvement, attention, unconscious reactions, etc. Cultural Presence stresses the contextual, social and symbolic, communicational aspects of presence, and also, implicitly, a learning aim. Through interaction and collaboration, presence becomes a being, not only physically but also culturally, there and then. |
“A Critical Examination of Presence Applied to Cultural Heritage. ”, the 10th Annual International Workshop on Presence. PRESENCE 2007, Barcelona, Spain, 25 – 27 October 2007, pp. 245-256, 2007. | ,
Cyber Museum The term “Cyber Museum”, is often confused with [Virtual Museum]. the traditional definition describes a Cyber Museum as “a logically related collection of digital objects composed in a variety of media which, through its connectivity and its multi-accessible nature, lends itself to transcending traditional methods of communicating and interacting with visitors.; it has no real place or space; its objects and the related information can be disseminated all over the world”. This definition probably derived from the newly-born examples of “Virtual” applications and it appears somehow misinterpreting. Likely according to McKenzie, in these museums, it is expressed the synergistic effect of classical and online museum with a slight tilt toward the domination of the classical museum. |
“Creation and Typology Definition of the Museum on the Internet”, Collegium Antropologicum, vol. 34, no. 2, pp. 587-594, 2010. | ,
Cyber Museum The term “Cyber Museum”, is often confused with [Virtual Museum]. the traditional definition describes a Cyber Museum as “a logically related collection of digital objects composed in a variety of media which, through its connectivity and its multi-accessible nature, lends itself to transcending traditional methods of communicating and interacting with visitors.; it has no real place or space; its objects and the related information can be disseminated all over the world”. This definition probably derived from the newly-born examples of “Virtual” applications and it appears somehow misinterpreting. Likely according to McKenzie, in these museums, it is expressed the synergistic effect of classical and online museum with a slight tilt toward the domination of the classical museum. |
“Le musée virtuel”, ICOM News, vol. 57, no. 3, 2004. | ,